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TechFold is technology discussion, commentary, reviews, and opinions from well outside the valley. There's no koolaid to drink here, and TechFold is not in SL, or on Twitter.

Textango - Music purchases by Cellphone - a new label-less distribution model

In a Nutshell: Textango offers music purchases and free promotions by text message. Send a code (like “bbq”) to a number (23333), and you’ll get a redemption code to enter on the site which will download music to your PC.

IMHO: There’s something here in providing a unique promotion and avoiding credit cards (for consumers) and labels (for bands), but communicating its proposition is a muddled affair due to the multistep nature of the Textango process.

Textango has identified a real need: that of record labels and indie bands to promote their music in new and attention grabbing ways, and do so in a relevant context - i.e.: at a concert venue, on campus, at a skate shop. They’ve also twigged to the credit card-less nature of the key target demographic (teens), by using cellphone text messages as a payment vehicle.

FACT: Only 13% of teenagers ranging in age from 12 to 18 have credit cards.

FACT: Over 76% of teenagers ranging in age from 12 to 18 have cell phones. Considering that the 12 to 18 age demographic makes up literally half of the music industry’s target audience, that gives you an idea of what Textango’s Affiliate programs earning potential is.

[from Textango Affiliate Program]

To that end the Textango system lets artists sign up to offer fans downloads of either tracks of albums, either free or paid through your cellular provider (via a premium SMS charge). Presumably, then an artist can poster up messages along the line of “Text MatchFinger34 to 23333 to download our single for free!” They can poster up their gig venues, blog, local record store, or wherever, and drive downloads or sales, as they see fit.

One other disruptive element: Textango lets bands bypass labels for sales and distribution. I don’t know enough about the music industry to guess at the impact it might have, but in such a crisis-prone industry, its an interesting entrant.

Caveat: I haven’t tried the service, as I’m in Canada, where it doesn’t yet reach (recv’d an error message from ai-na.com). Textango apparently works with all major US carriers other than T-Mobile.

It sounds like a great service; however, it comes with a complicated use case. Consider the steps required to purchase an album:

1. User send the initial text as described above.
2. Textango replies with payment authorization text.
3. User replies “Y” to authorize payment.
4. Textango replies with download code.
5. User, later at home, retrieves download code from phone.
6. User heads to Textango site and enters code.
7. User downloads requested music.

[See this page, for example]

Its a complicated way to complete a simple transaction, particularly for free promotional downloads. One wonders how actual conversion rates would compare (measured by download volume) between a Textango promotion and a band simply directing audiences to their website. Or how album sales would compare between selling CD’s for cash at a venue and a Textango promotion.

That being said, for paid downloads, Textango presents a way for credit-less teens to make purchases, and text message inboxes can provide a convenient means of storing download credentials for later use.

Additionally, it provides a unique vector that adds buzz to a band - a fact that hasn’t been lost on a number of bands, indie labels, and sites, found via Technorati, that are taking advantage of the service: Raining and OK, IndieHeaven (label), Negative Progression Records, Bleed the Dream, AbsolutePunk.net, John Frusciante, Bayside, Ignition, 3MS, Glassjaw Boxer, Corporate Punishment Records, Drag Citizen, The GoStation
, etc. Many more on the Textango website too.

Incidentally, that’s too many horrendously formatted MySpace blogs to look at in a lifetime, much less an afternoon.

Business Plan & Management Team

Pat Phelan has a good round up of the Textango revenue model and management team. The key points are diversified sources of revenue (commission on sales, eBay-style promotional options, keyword registration), and a team that includes some seasoned entrepreneurs.

Depends on the Bands

So - all of that being said, I find Textango to be an awkward, if interesting way to get at music… but I’m way out of the target demographic. Cellphone using, indie-band consuming teens may very well glom to the concept, as the right bands can add credibility to a distribution system very quickly. To that end, Textango’s success largely depends on their ability to get bands signed on and promoting their service.

More thoughts at KOAR and Collaborative Web Services.

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Odiogo transforms blog posts into podcasts

Odiogo is a San Fran startup that provides a quick and easy means to genete podcasts from your blog on a post by post basis. Odiogo monitors your RSS feed and converts posts to MP3 “podiocasts” using a typically Stephen Hawking-esque text-to-speech converter.

Odiogo hosts the generated MP3’s and makes them available in your posts with an unobtrusive “listen” button. Clicking it expands a nice embed player (example):


The player currently includes a pre-roll audio ad for Odiogo itself; Odiogo’s business model includes selling ads for this inventory, and their hosting of the MP3’s makes it possible to do so. You can see their business illustrated here. It also makes it possible to look at the complete back-catalog of MP3 inventory that Odiogo will accumulate over time as active inventory - as the host, Odiogo can switch out adds on podcasts of any age. Odiogo includes an element of revenue sharing, although the thresholds and percentages involved are not publicized.

Clicking the “Get this feed on your iPod/mp3 player” link takes you a hosted Odiogo page with subscription and download options:


Odiogo also includes an Odiogo Wordpress Plugin, and somewhat more cubmbersome instructions for getting Odiogo links on Blogger.

Summary

Odiogo takes your text blog and automatically creates a podcast from it. Is there a market from this? The existence of the service seems predicated on the existence of a segment of a consuming public that given the choice would rather listen to than read blog posts. Personally, its not for me; refer to my feelings on vlogging for further explanation. As to whether there’s a larger market - train commuters who want to take some blogs with them on their ipod, for instance - that remains to be seen.

That being said, I wish the Odiogo folks all the best - I’m a big proponent of automated language & media shifting services, and I like the notion of “write-once” content that automatically ports to entirely different consumption modes.

Other Coverage

  1. 901AM covers the Listen Button.
  2. The Red Ferret puts it to use.
  3. Jumbledthoughts also points us to Odiogo competitor Talkr.
  4. A Chess World points out Odiogo’s utility for the visually impaired.
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MPFree.com - the Agony of Advertising Business Models

Here’s one that rolled across my inbox - MPFree.com. Its a pay-per-action advertising conduit where members trade accept offers and jump through advertiser hoops to earn free downloads from a claimed library of 750,000 tracks. So - MPFree is one of those weird intermediaries that tries to link a popular whatever-it-is with achieving a consumer action of some sort - another spin on the age old “free iPod” story. The cringing mascot from the MPFree front page summarizes my thinking on these types service: its well worth 99 cents to skip all of this and just get music on your own terms.

The “offers” are all action oriented, and range from the innocuous and humorous…

To the more mysterious and weird…

To the very insistent:

I didn’t get far enough into this to actually qualify to download anything. But the front page claims “Save it or Burn It” - which suggests some DRM-addled file type anyway.

Every advertiser is looking for an edge, but I just can’t imagine that conversions achieved by this method are getting advertisers “quality” customers. Who wants free music downloads anyway? Kids - that’s who. Are kids really interested in help with their sleeping disorders? What does a service like this achieve, other than temporarily inflating membership numbers for advertisers?

Anyway, its funny the regularity with which this business model shows up.

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